Advanced Digital Technologies
- 24 Bits 96kHz Converters
In addition to a direct digital input, the SM8-S uses the latest high quality chipsets performing 24 Bits 96kHz A/D and D/A conversion.
- Multiple Equalisation Facilities
The combination of powerful DSP devices and carefully designed algorithms allows multiple and very precise equalisation.
- High-efficiency, low-distortion class "D" output stage
The SM8-S uses a low distorsion class "D" power stage, delivering 500W. Its very high efficiency guarantees cool operation even at full power.
- Remote Control Facilities
The SM8-S is intended to be remotely controlled when connected to a group of speakers, through a MIDI link. Within the group a "master" speaker will itself be controlled from one of various possible sources: PC/Mac dedicated "Focal manager" software, PDA, or proprietary remote control.
Exclusive Acoustical Technologies
- The "W" cone
For more than 15 years the composite cone sandwich technology is a Focal exclusivity. The "W" process - which is used in the 13" drive unit of the SM8-S - provides a true optimisation of the frequency response by fine tuning of mass, rigidity and damping parameters.
General
- Frequency response 20Hz - 250Hz
- Maximum SPL 125dB SPL
Electronic Section
- Input Type/Impedance: Electronically balanced / 10 kOhms
- Connector: XLR
- Sensitivity: Adjustable, +4dBu or -10dBV
- Digital Input: AES, XLR, 44.1, 48, 88.2 or 96kHz
- Amplifier Stage: 500Wrms, BASHTM technology
- Power supply Mains voltage: 230V/115V
- IEC inlet and detachable power cord
- System Control: Switchable between Serial RS-232 (PC/Mac), MIDI
- Hardware controls: Left / Right AES channel selection, Analog input Sensitivity
- Indicator: Power on LED
Transducers
- Woofer: W cone, very long throw Focal [13"] drive unit
Cabinet
- Construction: 55mm MDF panels with internal braces
- Finish: Slate grey metallic lacquer on side panels. Dark red veneer on top / bottom, corners in stained solid wood
All specifications are subject to change.
These are the best speakers I have ever used in the studio. All my mixes are dead on, and I can't hear the crossovers, dist, etc. This is a must have for any serious engineer. You can adjust Output level, EQ, Polarity, Input mode (LFE / 2.1), Presets, Delays with the software.
